"The word 'revolution' to us Frenchmen is not a vague term. We know that Revolution is a rupture, that Revolution is an Absolute. There is no such thing as a moderate revolution, there is no such thing as a planned revolution—as one speaks of a planned economy. The revolution we are announcing will overturn the entire existing order or it will not take place at all. If we believe that the present system is capable of being reformed, that it can, in itself, check the fatal course of its evolution towards Dictatorship—the dictatorship of money, of race, of class, of the Nation—we will certainly refuse to run the risk of an explosion capable of destroying precious things that can only be rebuilt with much time, perseverance, selflessness, and love. But the present system will not change the course of its evolution for the good reason that it is no longer evolving; it is merely reorganizing itself with the view of lasting a little longer, of surviving. Far from professing to resolve its own contradictions, which are, in any case, impossible to resolve, it seems more and more inclined to impose them by force through strict regulation of individual effort that grows more rigid and more particular every day, carried out in the name of a sort of State Socialism, which is the democratic form of Dictatorship. Every day, in fact, brings us another proof that the purely ideological era has long since passed, in New York as well as in Moscow and London. We can see the Imperial English Democracy, the Plutocratic American Democracy and the Marxist Empire of Soviet Dominions walking, if not hand in hand—far from it!—at least pursuing the same goal, that is to say maintaining at all costs and even while appearing to oppose it, the system in which they have acquired wealth and power. For, in the end, Russia has profited no less from the capitalist system than America and England; it has played the role of the Member of Parliament who makes a fortune in Opposition. In short: regimes formerly opposed in ideology are now directly united by Technology. A world dominated by Technology is lost for Liberty."

"The word 'revolution' to us Frenchmen is not a vague term. We know that Revolution is a rupture, that Revolution is an Absolute. There is no such thing as a moderate revolution, there is no such thing as a planned revolution—as one speaks of a planned economy. The revolution we are announcing will overturn the entire existing order or it will not take place at all. If we believe that the present system is capable of being reformed, that it can, in itself, check the fatal course of its evolution towards Dictatorship—the dictatorship of money, of race, of class, of the Nation—we will certainly refuse to run the risk of an explosion capable of destroying precious things that can only be rebuilt with much time, perseverance, selflessness, and love. But the present system will not change the course of its evolution for the good reason that it is no longer evolving; it is merely reorganizing itself with the view of lasting a little longer, of surviving. Far from professing to resolve its own contradictions, which are, in any case, impossible to resolve, it seems more and more inclined to impose them by force through strict regulation of individual effort that grows more rigid and more particular every day, carried out in the name of a sort of State Socialism, which is the democratic form of Dictatorship. Every day, in fact, brings us another proof that the purely ideological era has long since passed, in New York as well as in Moscow and London. We can see the Imperial English Democracy, the Plutocratic American Democracy and the Marxist Empire of Soviet Dominions walking, if not hand in hand—far from it!—at least pursuing the same goal, that is to say maintaining at all costs and even while appearing to oppose it, the system in which they have acquired wealth and power. For, in the end, Russia has profited no less from the capitalist system than America and England; it has played the role of the Member of Parliament who makes a fortune in Opposition. In short: regimes formerly opposed in ideology are now directly united by Technology. A world dominated by Technology is lost for Liberty."

A successful New York entrepreneur lives a double life as the head of a drug empire that serves only the rich and influential, all while wanting to escape the underworld and keep his family safe.

Ravi Teja plays a young man desperate to become a police officer, who becomes embroiled in a plot to pose as his lookalike in order to re-capture an infamous thug from rogue cops. The film revolves around two similar looking people, Baldev Sahay - a corrupt ACP in Kolkata and Tirupathi - a person aspiring to become a police officer in Hyderabad. The home minister of Kolkata recruits Tirupathi to play as Baldev to catch a gangster rescued by Baldev. Rest of the story is all about why Baldev became a corrupt cop and how Tirupathi executed the unfinished mission of Baldev.

A politician slips into coma after being attacked by criminals. He wakes up several years later to find his son having taken up his responsibilities. However, things are not what they seem to be.

An ex-soldier, a teen and a cop collide in New Orleans as they hunt for the source behind a dangerous new pill that grants users temporary superpowers.

Power Play was a Canadian television drama series, which aired on CTV from 1998 to 2000. The series was filmed at Copps Coliseum in Hamilton, Ontario.The show starred Michael Riley as Brett Parker, a former New York City sports agent who became the general manager of a National Hockey League franchise, the Hamilton Steelheads.One of the throughline plots of the series dealt with Parker's ongoing love–hate relationships with the sport, the team and his superior at McArdle Industries, corporate executive Colleen Blessed, played by Kari Matchett.The cast also included Gordon Pinsent as team owner Duff McArdle, Jonathan Crombie, Jennifer Dale and Al Waxman. The show's theme song was a modernized version of the Stompin' Tom Connors classic, "The Hockey Song", performed partly by Connors himself, and then transitioning to the performance of the band Rusty.The show was briefly aired on the US network UPN, starting in 1999, but was pulled after just two episodes. The second episode aired in the US has the distinction of being the lowest-rated episode of any prime-time TV series ever aired by any US network.

Power Play was a Canadian television drama series, which aired on CTV from 1998 to 2000. The series was filmed at Copps Coliseum in Hamilton, Ontario.The show starred Michael Riley as Brett Parker, a former New York City sports agent who became the general manager of a National Hockey League franchise, the Hamilton Steelheads.One of the throughline plots of the series dealt with Parker's ongoing love–hate relationships with the sport, the team and his superior at McArdle Industries, corporate executive Colleen Blessed, played by Kari Matchett.The cast also included Gordon Pinsent as team owner Duff McArdle, Jonathan Crombie, Jennifer Dale and Al Waxman. The show's theme song was a modernized version of the Stompin' Tom Connors classic, "The Hockey Song", performed partly by Connors himself, and then transitioning to the performance of the band Rusty.The show was briefly aired on the US network UPN, starting in 1999, but was pulled after just two episodes. The second episode aired in the US has the distinction of being the lowest-rated episode of any prime-time TV series ever aired by any US network.